Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. for Trumpet and Piano. Kent Kennan – Alfred Publishing Co., Inc. : Sonata for Trumpet and Piano: Edition, Part(s) ( ): Kent Kennan: Books.

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The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Rondo form, causing them to both have the same overall structure as well McNamara This section is distinct from the others in this movement because it is the only section that is not muted Dearden None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden This motive will be repeated in many different ways throughout the course of the entire piece Dearden His Night Soliloquy was written in and is set for solo flute, piano and strings.

All of theme motives and variants of these motives are repeated throughout the course of this movement Dearden This first statement begins in minor, goes through Phrygian, and ends in major Dearden Works Cited Dearden, Jennifer Lorien Retrieved from ” https: When the second theme is restated, it is down a half step as well and shortened a little bit Dearden The American Trumpet Sonata in the s: Then a short transition leads into a restatement of the third theme, but this time the soprano line of the chorale is played by the trumpet and the bottom three voices are not being played Dearden The Recapitulation All of the themes from the exposition are written in the recapitulation Dearden The second theme starts in the piano with an ostinato line over a pedal a D, followed by the trumpet two measure later, playing the main motive that was introduced in the first movement Dearden Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden You can help Wikipedia by expanding it.


Sonata for Trumpet and Piano (Revised Edition): Trumpet Part(s): Kent Kennan

The three pitches in the first measure begin with the leap of a perfect fifth up, keny by a whole step Dearden The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden The piece ends with a trumpet keennan in E-flat Dearden Create a free website or blog at WordPress. All of the themes from the exposition are written in the recapitulation Dearden Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara Kennan meant for the trumpet and the piano to be fairly equal in this piece, so kennn players need to be aware of this and play accordingly McNamara The main theme of this movement is written three times in a row, the first kennaan around E-flat Dearden He oent uses some displaced accents to make it sound as though it is in a different meter than the one in which it is written Dearden The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the piano Dearden This site uses cookies.


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This theme is only in the piano sonaata Dearden sonats You can follow any responses to this entry through the RSS 2. The development begins after a short transition from the exposition Dearden It is also significantly shorter Dearden The coda only uses fragments of the first theme with a modified rhythm Dearden kejnan The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden Dearden, Jennifer Lorien He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara This movement also has a short closing theme Dearden He was the half brother of the diplomat and historian George F.

The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden